Happy New Year 2014

BILLIE DAVIES

Hi , YES! Billie let her hair be long again...!!! She finds herself more beautiful to look at in the mirror. She likes herself that way so much better. And she hopes that you will too... To end the year 2013 the BILLIE DAVIES Ensemble, with Daniel Coffeng on guitar and Jacob Bartfield on upright bass, had a wonderful performance at NOLA's in downtown Los Angeles. Videos of this performance will be released soon... BILLIE DAVIES received the 2013 23rd Annual LAMA "JAZZ ARTIST" Award on 11/14/2013 at the AVALON in Hollywood. "12 VOLT" A NEW CD release by Jazz and Avant Garde drummer BILLIE DAVIES. "The organic essence of improvisational music. The evocative manipulation of sound and silence into a living breathing microcosm of emotion and spontaneous creativity." Brent Black / www.bop-n-jazz.com Love & Peace, Billie Davies.

Merry Christmas & Happy New Year 2014 !

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BILLIE DAVIES at NOLA's

BILLIE DAVIES at NOLA's

BILLIE DAVIES Ensemble
http://www.billiedavies.com/BillieDavies_Ensembles.html
Billie Davies: drums. Daniel Coffeng: guitar. Will Mack: bass.
Performance at:
Nola's - A Taste of New Orleans
Doors open at 5 pm
Performance Time: 7:00 pm - 9:00pm
Address:
734 E. 3rd Street, Los Angeles, CA 90013
Neighborhood:
Downtown L.A.

Full Details: http://nolasla.com/billie-davies-group/

 

Billie Davies walking the red carpet of the 23rd Annual LA Music Awards with Mike Davies 

to receive the 2013 "Jazz Artist" award.

Billie Davies: 12 Volt (2013) By C. MICHAEL BAILEY,

Billie Davies: 12 Volt (2013)

By

C. MICHAEL BAILEY,

Published: November 22, 2013

Drummer Billie Davies' previous recording, All About Love (Self Produced, 2012) was novel and compelling, a trombone trio with the drummer lead. Davies assembled original and standard works, achieving both educational and artistic endpoints. The present recording, 12 Volt, retains the trio format, substituting the guitar for the trombone and pushes the trio envelope out with a moody collection of eight originals, when considered together comprise an avant-garde suite possibly conceived by Grant Green and John Coltrane.

This music is most comparable to Jimmy Giuffre's 1960s trios exploring free jazz using three independent instruments probing jazz's three-dimensional space. Davies directs a very similar interrogation of spatial sound dependence and independent of time. "Collioure" is based on a descending chordal guitar figure, simple and unadorned with brief drum and arco bass support. Guitarist Daniel Coffeng sparsely solos, extending the opening theme. The title piece is a rolicking jam with all instruments hitting their mark. Davies carefully cultivates her cymbals while bassist Adam Levy provides the harmonic roadmap and time over which Coffeng solos most robustly.

"Les Landes" is a good representation of the disc as a whole, an anxious piece with many corners and edges to navigate. Davie's challenge to her bandmates is to glide as smoothly as possible about these corners while she stirs the water with her persistent and restless drumming. The mood is dreamy and slightly soporous, a child of Morpheus and honey, preparing a bed of experiences for the listener.

Track Listing: Collioure; Meeting Manitas; 12 Volt; Les Landes; Tango for Patti; Grapes, Plums and Tomatoes; Gypsy; La Sieste.
Personnel: Billie Davies: drums; Daniel Coffeng: guitar; Adam Levy: bass.
Record Label: Cobra Basement
Style: Beyond Jazz

Dr. Will Smith's Playlist: Review (Avant Garde): “12 Volt” - Billie Davies

Dr. Will Smith's Playlist: Review (Avant Garde): “12 Volt” - Billie Davies:

Review (Avant Garde): “12 Volt” - Billie Davies

Billie Davies has an interesting story.  Her travels have led her to many places.  She began her journey in Belgium and grew up singing, writing, and eventually playing drums at the age of 14.  After several awards for her artistic creations, she became a DJ at 23 and played in clubs in Germany and Belgium.  It was at this time she was offered a grant to study at Berklee College of Music under Max Roach after he heard her audition tape.  He felt that she “could learn more fundamental drumming techniques” but he heard “the natural drummer” in her. 

She declined the move to the US at that time but became a professional drummer at 25 citing Al Foster, Billy Higgins, Billy Cobham, Jack De Johnette, Ed Thigpen, and Peter Erskine as her biggest influences.

After moving to the US at 32 she settled in Los Angeles, California and became a US Citizen.  She recorded with several artists and began to compose music for her own release.  Her latest project “12 Volt” was recorded in April 2013 and released in October.  It features Daniel Coffeng on Guitar and Adam Levy on Bass.

The pieces on the album are inspired by her life in the wine regions of France where she lived amongst gypsies.  The title comes from the 12 volt battery that ran everything electric in the RV where she stayed with local blues jazz guitarist Claude Mazet.  She remembers her life among the gypsies and her life in the south of Europe fondly and “It is that bohemian life, that close to nature life... so close that all the music…everything else you do or think becomes….a reflection of it.”

The first selection on the album is reminiscent of Miles Davis’ electric period of the 70s.  There are several themes that are stated initially, these are followed by the improvisation section which brings in ideas from the themes that were presented. The piece ends on the same thematic material that it began with.  There are some nice dynamic changes in the music and Ms. Davies creates some pleasant colors with her cymbal work.  Daniel Coffeng has ample chops to play a variety of styles and his technique ties the variety of ideas together. 

Her style is definitely of the avant garde school of jazz which seeks to go beyond the boundaries of the standard elements of music.  We are taught that the elements of music: rhythm, harmony, melody and form, are the key foundational elements of music.   Well what happens if you remove these elements can you still call it music? Is it possible to remove them completely?  This is the debate that has been going on in the jazz community since Ornette Coleman released Free Jazz in 1960.  

Ms. Davies is adding her take on that conversation and she brings an interesting offering to the table with her composition “12 Volt.”   Give it a listen and let us know what you think.

You can listen to her work here:

http://www.reverbnation.com/billiedavies