TheBillieDaviesTrio ~ Hollywood Boulevard #1 ~

Rise 2012 Los Angeles | Expressions & Reflections - Share the gift

Rise 2012 Los Angeles | Expressions & Reflections - Share the gift

The Billie Davies Trio: all about Love. - Music for your Android on Google Play

The Billie Davies Trio: All About Love (feat. Tom Bone Ralls- trombone, Oliver Steinberg- bass & Billie Davies- drums) - Music on Google Play

"all about Love" by The Billie Davies Trio reviewed on JazzTimes

10/16/12    Albums    By Geannine Reid

Billie Davies Trio, All About Love

All About Love

The term slow burn has been used to describe sensuality in music for decades. Billie Davies Trio is just that, a slow burn of improvisational ideas, coupled with complex rhythms and harmonic colors. Female Drummer Billie Davies, who originally hails from Belgium is at the helm, leading her trio through a well-balanced program of standards re-arranged and originals that complement each other in the context of this recording with ease. The main theme throughout is spaciousness, it permeates the overall concept of the album. Take the opening track “Stella by Starlight” a well-known standard that has been well-documented, but when in the hands of this apt trio it becomes like a firework show that bursts with originality. Trombonist Tom Bone Rails adds a clear yet inviting tone that cuts through nicely, yet adds a sense of warmth at the same time. Bassist Oliver Steinberg has a more mid-range tone that is effective in this setting, not overpowering the ‘slow burn,’ his ability to lay down a solid canvas while creating figures of interest, again further adds to the interest of the interaction and chemistry.

Originals such as “Green Cheese” add a depth of Avant to the proceedings, while “BUrst” is just that, an eruption of 32 seconds of pure energy. “High Noon” another wonderful original is driven by Davies nimble musings and scurrying rhythms, juxtaposed against Rails and Steinberg’s free improvising figures, all adding up to a comfortable, yet intriguing listen. This is not for the casual listener who lives in the swing zone – All About Love is just that, a true love story of the improvisation of jazz and its innate nature to stretch, pull and push the boundaries. The Billie Davies trio truly shows its devotion to the jazz idiom with this wonderful debut of creative modern borderline Avant-garde offering – truly a delight on many levels and I hope not the last from the Billie Davies Trio.

http://jazztimes.com/community/articles/58291-billie-davies-trio-all-about-love

Billie Davies is reviewed by JazzMusic

JAZZMUSIC
by:  CJ Bond


The Billie Davies Trio: All About Love.
Year: 2012

Style: Jazz

Label: Cobra Basement

Musicians: Billie Davies - drums; Tom Bone Ralls - trombone; Oliver Steinberg - bass.

CD Review: Jazz combos without chordal accompaniment (pianoless) are rareties these days- if they exist at all. Gerry Mulligan's 1950 quartet, with trumpeter Chet Baker, bassist Bob Whitlock, and drummer Chico Hamilton; along with The Sonny Rollins Trio 1957 "Way Out West"  album, featuring Ray Brown on bass, and Shelly Manne on drums, are two of the quintessential jazz aggregations that set the standard for this grouping. The Billie Davies Trio is a pianoless ensemble that manages to overcome the challenges that are inherent in such an arrangement: maintaining stimulating textures and colors without generating chaos; keeping clear harmonic structures; and eschewing loss of place by musicians and listeners. Stripping down the date's selections to their elemental harmonic and melodic form, the trio imbues each song with renewed innovative inventions that emanate from a genuine awareness and respect for their histories. The listener is treated to jazz inclinations within the trio that bristle with cutting-edge freshness.

Familiarity and accessibility ignite the listener's interest and assist the players in rising to the challenge of achieving and maintaining harmonic structure on the opening track (Stella By Starlight), Victor Young and Ned Washington's beautiful jazz standard. Trombonist Tom Bone Ralls raspy, but rounded and melodic opening solo is answered by drummer Billie Davies' tasteful, intricate, progressive polyrhythms.

It falls naturally to drummer Davies and bassist Oliver Steinberg to map out the changes clearly, leaving space for Bone Ralls' trombone to execute the melody and improvise his composition (Downtown In The Rain). However, it is the trio's reading of Miles Davis' (Jean Pierre: We Want Miles; 1981), that showed the highest level of harmonic and melodic magical interplay; achieved around the sound of Davies' Tony Williams-like time signatures and Steinberg's pulsing bass beat; giving the tune a textured, slinky strut, overlayed with Bone Ralls stupefying trombone reprise of Davis' sound, and ethereal, chant-like voicing, culminating in a Milesian, signature Harmon muted-like coda.

Tom Bone Ralls plays the trombone like he's got all the time he needs; not lazy; his phrasing is well rounded, pristine, and is impacted with depth, and an inspired eloquence that is the result of his comprehensive playing experience. His interpretations of John Coltrane's (Naima), and Mongo Santamaria's Afro-Cuban classic (Afro Blue) are soulful, satisfying, and considerably informed by Davies' drumming which eschews self indulgence, instead making space for Bone Ralls to convey each tune's simple, subtle beauty with ravishing, elemental clarity.

Billie Davies stunning drumming technique and style are undoubtedly by-products of the vicissitudes attendant to her existence as a 'lifelong natural musician'; and a creative passionate focus to her music, matched only by a fierce inner muse that shepherds her personal and professional stratagems. But it is her uncanny ability to 'listen,' 'hear,' and communicate a certain emotional, common feeling to listeners, musicians, and audience, that makes her a "jazz drummer" and nourishes her boundless improvisational skills; anticipating the conversations on three of her avant gard compositions, (Green Cheese; BUrst; High Noon) between bassist Steinberg and trombonist Bone Ralls and providing context, energy and drive.

In the end, many elements make this date work; the artists, their talent, and experience; Surely Billie Davies' dream and creative endeavor to produce a sublime, genre-stretching, versatile, committed trio. But when everything is considered, tallied, and summed up; the total indicates, that it's really: "All About Love."

Track Listing: Stella By Starlight; Downtown In The Rain; Jean Pierre; Naima; Afro Blue; Green Cheese; BUrst; High Noon; Afro Blue Too; Stella By Starlight Too.

Recording Engineer: George Rada.
Mixing by Mike Davies and Billie Davies.
CD Mastering by John Vestman at Vestman Mastering.
Recording & Sound Technology/Engineering Management: Mike Davies.
A Cobra Basement Production.
Recorded at Mike & Billie Davies Studio, Hollywood, California.

The Billie Davies Trio is reviewed by The Borderland

THE BORDERLAND
by:  John M. Peters


The Billie Davies Trio - All About Love (Cobra Basement)

All About Love could equally have been called All About Improv as this album is all about the spontaneous moment that jazz is created. A trio of musicians set in a circle facing each other in a small recording studio and playing off each others creativity. With Billie Davies on drums, Tom Bones Ralls on trombone and Oliver Steinberg on bass, this is a trio that stretches the boundaries beyond the norm. The album contains a mix of original music by the trio and several covers by the likes of Miles Davis, Mongo Santamaria and John Coltrane. Ms Davies hails from Belgium but is veteran traveler around the world and has been long settled in the USA, where she has absorbed a lot of jazz and mastered the drums. I think this may be her first album as leader, but it has a confidence hewn from much playing of improv and avant-garde jazz. As you would imagine with such a line-up of instruments the sound is spare and sparse, rather raw but refined through the musical experience of the three players. 

All About Love contains ten tracks and their titles are: Stella By Starlight, Downtown in the Rain, Jean Pierre, Naima, Afro Blue, Green Cheese, Burst!, High Noon, Afro Blue Too, Stella By Starlight Too. I don't think this is an album that will appeal to the casual jazz listener - the strong improvisation and avant-garde nature of the music demands serious attention from a committed listener. But if they do commit their time and ears to this album they won't be disappointed by what they hear.

For more information about this artist, album and availability visit:
www.billiedavies.com