Billie Davies Trio is calling out to EXPERIENCED, CREATIVE, FREE IMPROVISATIONAL Jazz Cats in New Orleans
All of Billie Davies music is improvisational... a conversation between musicians and musical instruments, a joint emotional expression inspired by a certain common feeling, thought or perspective that is being communicated to an audience, a listener, a community.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
LOOKING FOR EXPERIENCED, IMPROVISATIONAL CATS
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Whether you consider yourself advanced or expert... you need to love and have a yearning for interacting and growing with the same musicians continuously for an indefinite amount of time of playing, recording, gigging ...
INFLUENCESAll of her music is improvisational... a conversation between musicians and musical instruments, a joint emotional expression inspired by a certain common feeling, thought or perspective that is being communicated to an audience, a listener, a community. Most of her influences stem from Classical, Gypsy, Manouche, Blues, Jazz, Free Jazz, Avant-jazz, Avant-garde, Soul and Funk.
Major influences:
Jack De Johnette,
Billy Higgins,
Billy Hart,
Al Foster,
Ed Thigpen,
Billy Cobham...
Ornette Coleman,
Miles Davis,
Keith Jarrett,
Rahsaan Roland Kirk.
Important influences:
Max Roach,
Elvin Jones,
Tony Williams... Music produced under The ECM label in the 70's/80's with artists such as
Dollar Brand,
Abdulah Ibrahim,
Jan Garbarek,
John Abercrombie,
Terje Rypdal,
Charles Lloyd became an important influence and her inspirations have been influenced by
Carla Bley,
Nina Simone,
Edith Piaf,
Billie Holiday,
Chopin,
Ravel,
Serge Vandercam,
Matisse,
Manitas de Plata,
Irene Papas,
Vangelis,
Paco De Lucia,
John McLaughlin,
Al Di Meola,
Trilok Gurtu,
Klaus Schulze,
Peter Gabriel,
Pink Floyd,
Jimi Hendrix,
Jim Morrison,
Charles Aznavour,
Jacques Brel,
Mozart,
Bach,
Liszt,
Mendelssohn,
Mussorgsky,
Christian Dotremont,
the CoBrA movement,
Bram Bogart,
Hugo Claus,
Gaudi,
Braque,
Van Gogh,
Picasso,
Dali,
Miro,
Hieronymus Bosch,
Pieter Bruegel the Elder, and so many more... and ~~~ Universal Energy ~~~.
“LOUD AND CLEARWhat
Ornette Coleman, Don Cherry, Charlie Haden and Billy Higgins accomplished in
“The Shape of Jazz to Come” was not in vain, I heard it!!!... What
Charles Mingus,
Miles Davis,
John Coltrane,
Sun Ra and
Cecil Taylor left us was not in vain, I heard it!!!...
LOUD AND CLEARIt was their roots, It is my roots, answering, calling, and continuing the Mission of the evolution of Fine ART in JAZZ, in MUSIC, of liberating the notes to be free and the sounds to be re-invented, re-explored, so that others will hear and see and feel the ROOTS.
So that others may IDENTIFY with it. As I Do.
So that this extremely FREE, Heart Beating, Soul Searching, Mind Bending form of FINE ART through the medium of MUSIC... be still here
after I am gone...
UNCONSTRAINED by color, race, gender, dogma, politics, fashion and trends and money.
LOUD AND CLEAR” (Billie Davies)
Free jazz is an approach to
jazz that developed in the 1960s when musicians attempted to change or break down jazz conventions, such as regular tempos, tones, and chord changes. Musicians during this period believed that the
bebop,
hard bop, and
modal jazz that had been played before them was too limiting. They became preoccupied with creating something new. Free jazz has often been combined with or substituted for the term "
avant-garde jazz". Europeans tend to favor the term "
free improvisation". Others have used "modern jazz", "creative music", and "art music".
The ambiguity of free jazz presents problems of definition. Although it is usually played by small groups or individuals, free jazz big bands have existed. Although musicians and critics claim it is innovative and forward looking, it draws on early styles of jazz and has been described as an attempt to return to primitive, often religious, roots. Although jazz is an American invention, free jazz musicians drew heavily from world music and ethnic music traditions from around the world. Sometimes they played foreign instruments, unusual instruments, or invented their own. They emphasized emotional intensity and sound for its own sake. (Wikipedia)
Avant-garde jazz (also known as avant-jazz) is a style of music and improvisation that combines avant-garde art music and composition with jazz. Avant-jazz often sounds very similar to free jazz, but differs in that, despite its distinct departure from traditional harmony, it has a predetermined structure over which improvisation may take place. This structure may be composed note for note in advance, partially or even completely. The origins of avant-garde jazz are in the innovations of the immediate stylistic successors of Charlie Parker. Musicians such as Charles Mingus, Miles Davis, and John Coltrane introduced modal improvisation and experimented with atonality and dissonance. Sun Ra, Cecil Taylor, and Ornette Coleman became controversial jazz innovators. (Wikipedia)
