Happy New Year... :)

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Billie Davies
~ A Jazz Musician ~

Hollywood, CA 90028
Tel: (+1) 310.467.2061
Email: Billie@BillieDavies.com
Web:
Her current PRK: http://karionpresskits.com/billiedavies/index.html
Her website: http://www.BillieDavies.com
Her blog: http://BillieDavies.blogspot.com
Buy her Music:
at CDBaby: http://www.cdbaby.com/cd/thebilliedaviestrio
on iTunes: http://itunes.apple.com/us/album/all-about-love-feat.-tom-bone/id532658118
at Reverbnation: http://www.Reverbnation.com/BillieDavies
at BillieDavies.com: http://www.billiedavies.com/Music.html
Like her Facebook page: http://www.facebook.com/BillieDaviesJazz
Friend/Follow her:
on Twitter: @BillieDavies
on Facebook: http://www.facebook.com/BillieDaviesMusic
on MySpace: http://www.myspace.com/BillieDavies

Popular posts from this blog

Billie Davies PR announcing New Digital Album Release "On Hollywood Boulevard (Live at The Mint in New Orleans)

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Billie Davies PR New Digital album Release. BILLIE DAVIES "On Hollywood Boulevard - Live at The Mint in New Orleans" Performed at Music At The Mint in 2017 - brought by The New Orleans Jazz Museum To be released through ReverbNation and Bandcamp on 08/08/2024  About "On Hollywood Boulevard" “On Hollywood Boulevard” came about while Billie Davies still lived at 6533 Hollywood Blvd. at The Historic Hillview Hollywood in Hollywood, Los Angeles. She lived there for several years and her many experiences in and impressions of Hollywood Boulevard needed recording. It took from 2012 in Hollywood, the initial conception, to September of 2016 in New Orleans to result in a recorded album of 5 songs that Billie Davies wrote melodies and lyrics for, 1 instrumental improvisation and 1 improvisation with improvised lyrics by IRIS P. Billie and her husband/recording engineer Mike Davies chose Evan Oberla, with whom she recorded and performed since February of 2015, on keys/synth a...
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Billie Davies Interviewed by La-Faithia White on All About Jazz.

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  The Musical Evolution of Billie Davies Miles Davis has been my greatest inspiration in my life as a professional musician and musical artist. Drummer  Billie Davies ' journey began in the north of Europe in coastal Belgium where she was born and raised. Davies was involved with two bands while living in Holland, in Terneuzen, a semi coastal port town. One band scored a lot of gigs with festivals and parties versus the other, who only played a few times in Belgium, in Bruges and in Blankenberge. She moved to the south of France near the Spanish border in Catalan or Basque Country, an area between Montpellier in Provence where there was a large Romani population. Davies was now surrounded by the tranquility that she always longed to be close to, which are palm trees. In Montpellier France, Davies met blues guitarist Claude Mazet. It was during this time that she began to play music in all of its formats. By  La-Faithia White December 29, 2024 All About Jazz https://www.al...
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"Whadeva", an album with Damani Butler, Maude Caillat, Billie Davies and produced by Billie & Mike Davies, release date set for July 24, 2020.

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"Whadeva" It had not reached New Orleans yet, or so they thought. They had been prepping these recordings since late December, early January. Damani Butler contacted Billie Davies and Maude Caillat asking them whether they would be interested in doing a project with him. He also mentioned he had contacted female artists for this project. Both Billie Davies, an american drummer from California, and Maude Caillat, a sax player from Switzerland, were currently working and residing in New Orleans. Damani had rented a house in the Lower Ninth Ward, which became Dangerous Art Studios, and was busy transforming it into the whole house and whatever sounds in it, showed in it and whomever entered it, being part of a work of art he was creating. The project would be experimental, completely improvisational audio art. Intuitive, instinctive in nature Damani would be doing his electronic loops, beats and waves while Caillat and Davies played whatever they played. Billie decided to use he...
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